THE EMANCIPATED SPECTATOR I gave to this talk the title: «the emancipated spectator». As I understand it, a title is always a challenge. It sets forth the presupposition that an expression makes sense, that there is a link between separate terms, which also means between concepts, problems and theories which seem at first sight to bear no direct relation on each other.
Aldo Milohnić, TEORIJE SAVREMENOG TEATRA I PERFORMANSA Iz štampe je nedavno izašla knjiga Alda Milohnića, Teorije sodobnega gledališča in performansa, u izdanju Zavoda Maska, Ljubljana, 2009. godine. Knjiga Teorije savremenog teatra i performansa, svojim teorijski sofisticiranim, kritičkim i polemičkim diskursom, razvja analize i rasprava nekoliko ključnih aspekata savremenih izvođačkih umetnosti: performativnost, političnost, angažman i mesto umetnosti u savremenom kapitalističkom društvu.
FROM BIOPOLITICS TO NECROPOLITICS Intentions of this lecture are: to situate from which point I am talking and to bring into the story new positions of theory, knowledge and analysis; to differentiate in- between biopolitics and necropolitics; to take into an analysis an art performative project produced in Slovenia in order to see if contemporary art services necropolitics; to see the linking of necropolitics and neoliberal capitalism and the relation toward institutions of art and culture...
SCENA KAO EKRAN: Slučaj Operrrra... Tema „video u teatru“ spada u legitimne i važne teme savremenih izvođačkih umetnosti, ako ih – svesni realnosti koja nas okružuje – posmatramo kao umetnost u doba kulture, koja je nezamisliva bez masmedija i digitalnih tehnologija. Ipak, o temi „upotreba videa na lokalnoj tetarskoj sceni“ se teško može napisati ma kakva analiza, a da nije oštra kritika. Za takvu analizu nedostaje sam predmet.
A LECTURE [about improvisation as performance] This will be about the conditioning and the conditions for improvisation as performance. I won’t talk about improvisation as a technique to create new movement, or as a technique to free the body from habitual movement patterns, or as a technique in contact improvisation to explore movement by physical contact.
CHTO DELAT? - ZAŠTO BRECHT? / WHY BRECHT? Broj 11 ruskog umetničko-teorijsko-aktivističkog časopisa Что делатъ? (Chto delat?) / What Is to Be Done? posvećen je savremenom preiščitavanju teorije i prakse Bertolda Brechta. Broj je objavljen u januaru 2006, dvojezično (na ruskom i engleskom jeziku).
