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Editors: Miško Šuvaković, Ana Vujanović
CONTENT
- Performing Arts and Dramaturgy (introductory text)
THEORY: NEW (THEORIES OF) DRAMATURGY
- Miško Šuvaković: Mapping and Filing; Towards new theory of dramaturgy
- Ana Vujanović: New Reading of Theatre
- Goran Sergej Pristaš: Death and Breath
- Emil Hrvatin: Dramaturgy of Looking; Terminal spectator and other strategies
- Neja Kos: Dramaturgy in Dance | trans. Milan T. Djordjević
- Eda Čufer: Some Thoughts on Contemporary Dramaturgy | trans. Milan T. Djordjević
- Eda Čufer: Dance Dramaturgy | trans. Milan T. Djordjević
- Bojana Kunst: Symptoms of Techno Body | trans. Milan T. Djordjević
- Bojana Cvejić: Dramaturgy through History of Music Performance
- Jelena Novak: Musical Hyperreality and its Dramaturgical Functions
- Ivana Stamatović: Dramaturgical Function of Koštana’s Singing in Petar Konjović’s Opera
- Ljubiša Matić: Drama Is Dead, Long Live the Theatre. What is Post-dramatic Theatre?
TRANSLATIONS
- Patrice Pavis: Dramatic Structure, Dramaturgy, Dramaturgical analysis | trans. Ljubiša Matić
- Lado Kralj: Action | trans. Draga Bojanić Tijardović
- Lev Kreft: Art and Politics – The Case of Theatre | trans. Ljubiša Matić
- Alan Badiou: New World, yes, but When? and Passion for the Real and Setting Seeming | trans. Ljubiša Matić
- Guy Cools: Dance – The Art of Translation; Body as transmitter of identity | trans. Vlatko Ilić
- Hans-Thies Lehmann: Post-dramatic Theatre, Epilogue (1) | trans. Petar Milat
WORKING THEORY
- Bojan Djordjev, Siniša Ilić: FRIDA KAHLO – Una pierna y tres corazones (manifesto and drama)
- Ana Vujanović, Miško Šuvaković: Manifesto of theoretical drama and Why Marquise de Sade never met Kathy Acker?
- Maja Mirković: Sketch for TV Monument to Jacques Lacan
- Jovan Ćirilov: Photo Comic – J.Ć. Ego-trip
- Vlatko Ilić, Mirko Lazović, Tanja Marković, Maja Pelević, Miško Šuvaković, Ana Vujanović, Katarina Zdjelar: Performing Gender
DISCUSSIONS: MATERIAL READING OF THEATRE ANTHROPOLOGY
- From Critique to Deconstruction of Theatre Anthropology (introduction)
- Aldo Milohnić: Energy in Anthropology of Theatre and Theories of Third Vector
- Ana Vujanović: Theatre Anthropology and the End of Humanism
- Tanja Marković: Deconstructive Letters to Eugenio Barba, 1 and 2
CRITIQUES
- Towards New Critique of Performing Arts (introduction)
- Ana Vujanović: Construction and Deconstruction of A-critical Critique of Performance Diderot’s Nephew or Blood is not Water
- Miško Šuvaković: Impressions from the Age of Enlightenment in the Age of Agent Body; A simulation of impressionistic critique of performance Diderot’s Nephew or Blood is not Water
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The issue is available only in Serbian version.
